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Very often I am asked how I can endow grand pianos with so much sound even in acoustically unfavorable rooms. The answer is simple: sound is not magic, but physical reality - and hard, patient work. And the most important thing: listening!

After their first encounter with the "615313" at the DLW Festival in Cologne, Christopher Dell, Christian Lillinger and Jonas Westergaard describe the qualities of our exceptional young grand piano:

After his first concert and his recording of Schubert dances on the "353018", Pierre-Laurent Aimard described the fascination of this very special instrument...

During the recording of the "Játékok", György Kurtág spontaneously delivered his judgement on our "Op. 353018"...

After her concert at the Styriarte in the Stefaniensaal in Graz, Tamara Stefanovich expressed her very personal feelings about our Op. 615313…

Fabian Müllers writes the following in the booklet of his CD “Passionato”, recorded on the “353018”…

In this video Fabian Müller tells about his love for Brahms, reports on his collaboration with Stefan Knüpfer and explains why it is a pleasure for him to play the “353018”...