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Very often I am asked how I can endow grand pianos with so much sound even in acoustically unfavorable rooms. The answer is simple: sound is not magic, but physical reality - and hard, patient work. And the most important thing: listening!

After their first encounter with the "615313" at the DLW Festival in Cologne, Christopher Dell, Christian Lillinger and Jonas Westergaard describe the qualities of our exceptional young grand piano:

After his first concert and his recording of Schubert dances on the "353018", Pierre-Laurent Aimard described the fascination of this very special instrument...

The Luxembourg radio station "100,7" did an interview with me before Hyung-ki Joo's concert on "615313" at the Mierscher Kulturhaus...

In the Blog THE CLASSIC REVIEW Tal Agam writes about Fabian Müller’s Brahms CD...

In his capacity as sound engineer for Fabian Müller's CDs "Passionato" and "31", Johannes Kammann was responsible for much more than just the good sound...

Fabian Müller, professor at the Hochschule für Musik Köln, has already recorded several CDs on our piano duo "353018". With him I dive into a world of old colors and sounds and learn about the similarities between a grand piano and a tennis racket. And I marvel at his feeling that it never sounds quite the way he wants it to...

Till Dönch has been working in the music management business in Vienna for four decades. I learn unknown facts from him about his “secret service” activities and I uncover mysterious parallels to his famous agent colleague James Bond...

The voices after the voices. Get in touch with our protagonists...